Every gold piece carries a BIS hallmark. Every diamond carries an IGI or GIA report. Read how

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We made it for other houses first.

Twenty-five years at one bench in Malleshwaram. The pieces went out under other names. This is the same bench, under ours.

For twenty-five years this family made fine jewellery for established Indian retail houses. Luvera is the same bench, the same hands and the same stones, sold under our own. That is the whole of the change, and it is why we can show you what a piece is made of and what it cost to make: love, wrapped in trust.

A jeweller's bench laid out with hand tools and unfinished pieces. Hands sorting loose stones under a microscope. A torch flame playing over a piece on a soldering block. A finished diamond ring on a polishing rod against red velvet.
  1. 01

    Setting before sparkle

    How the stone is held, decided before how it shines. The setting is drawn first, because it is the thing that has to last.

  2. 02

    Stones chosen eye clean

    Read at arm's length first, under a loupe second. A stone that only works under magnification is not a stone we set.

  3. 03

    Weight where it is worn

    Balance engineered early, so a piece sits rather than droops. It is decided at the bench, not corrected afterwards.

  4. 04

    Finished front and back

    The reverse polished to the standard of the face. Nobody sees it. That is the point.

A jewellery house that also owns the bench.

A piece usually passes through a maker, a wholesaler, a distributor and a shop, and each one takes a margin. Ours goes from our bench to our counter. One margin, not four.

25+
Years at the bench, making for other houses before our own
100%
Natural diamonds, never substituted
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Middlemen between the bench and the counter
2
Addresses in Bengaluru, one for each half of the work
A multi stone bangle on black velvet beneath an orchid.
Luve Love, in the making. The part that happens at the bench, before anyone has seen it.
Emerald and diamond drop earrings resting on dark slate.
Vera Truth, and the certificate that carries it. The part you can hold up to the light, or to a third party.

Twenty-five years, in four moments.

  1. A jeweller at a workbench, holding a small torch to a piece.
    2000

    One bench, one family

    A workshop in Malleshwaram, taking orders from houses whose names went on the box.

  2. Two jewellers working at opposite sides of one long bench.
    2011

    The work outgrows the room

    More benches and more hands, and the same rule about what is allowed to leave them.

  3. A gold bangle set with diamonds, resting on deep red velvet.
    2019

    The first piece signed Luvera

    The same bench and the same stones, with a different name on the box.

  4. The inside of a jewellery shop, with lit display cases along both sides.
    2025

    Two addresses

    One where it is made, one where you can put it on, and nothing in between them.

From the Journal.

  • A diamond pendant on a cream bust, on a pale counter.

    Showcase15 and 16 May 2026

    Two days at Phoenix, Bangalore West

    The archive comes out of the case for a weekend, and the bench comes with it to answer for what is in it.

  • A gold haram laid out flat, lit softly.

    Private editComing 2026

    The bridal trousseau preview

    Bridal sets, polki and natural diamond suites, shown by appointment at the atelier before they reach the floor.

  • Loose stones and hand tools on a workbench under a warm lamp.

    From the benchMarch 2026

    Why the setting is chosen before the stone

    Brilliance follows a good setting and cannot rescue a poor one. What that decision costs in time, and what it saves in five years of wear.

  • A stack of patterned gold bangles on a cream ground.

    ExplainerFebruary 2026

    Old gold, valued while you watch

    How purity testing works, what the deduction is for, and why the rate is written down before anything is agreed.

A jewellery counter, with trays being set out behind glass.

Made in one place,
sold in another.

The atelier in Malleshwaram is where the work happens. The counter at Phoenix Marketcity is where you can put it on. Both are ours.

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